Announcements

Thank you to Kol HaOt for inviting me to be Artist-in- Residence at their beautiful space in Jerusalem's Artists Colony, Khutzot ha Yotzer from November 12-December 11, 2017. Happy to see you there.

I will be participating in the Salon ha Cubia exhibit opening October 28, 2017 at 8 pm in Nayot in Jerusalem, as part of the city-wide Manofim project. Continuing until the end of January 2018. Hope to see you there. Invitation

Pleased to be participating in the exhibition HOME(less) at HUC-JIR Museum NY. Running through the end of June 2018. Would love to hear from you if you get to see the exhibit. For details see post

Sunday, August 7, 2011

Seven out of Nine Days: Poussin

"The Destruction and Sack of the Temple of Jerusalem" Nicolas Poussin 1926


Nicolas Poussin’s painting “The Destruction and Sack of the Temple of  Jerusalem” disappeared from the public eye for  320 years.  The painting, upon being found in England,  was mistakenly thought to be  a work by Pietro Testa, a 17th century Italian painter. At auction, it was bought by a London gallery in 1995 at ten times the Sotheby’s estimate because the gallery doubted the attribution and it was willing to take the risk.  During restoration, the work was discovered to be by a colleague of Testa's, the better-known Poussin. It was bought by the Rothschild family and donated to the Israel Museum, bringing about a beautiful symmetry, as the work describes the historical events that were to have taken place on the Temple Mount in Jerusalem in 70 C.E., a mere few kilometers  to the east  in the same city. The painting now holds pride of  place in the Israel Museum Old Masters collection. 

Poussin addressed this subject twice, this being the earlier of the two versions, painted in 1926. The second is the 1638 painting, The Destruction of the Temple at Jerusalem, which is in the collection of the Kunsthistorisches Museum in Vienna.

Before its installation in the Israel Museum, the earlier work was exhibited at the National Gallery in London. There, in 1999, Rabbi Jonathan Sacks, the Chief Rabbi of England, gave a lecture , "A Temple in Flames," on this work and its significance from a Jewish point of view. He said he was,
“in the presence of an embarras de richesse of themes in the history of ideas: destruction and rebirth, exile and return, lamentation and hope, Rome and Jerusalem, Christianity and Judaism, events and their interpretation.” 
It would be foolish to try and improve on the lecture given by Rabbi Sacks, and it is worth scrolling down the link to read his words, fitting for this week.

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